On Repeat: March 2022

March soon came around after what was a very fast beginning to 2022. I’m slowly but surely getting back on track with my writing and post commitments after a very busy start to the year, with preparing for my driving test (which I passed, woo!), preparing for Tribal Warehouse’s opening 2022 show with Skream, and being appointed as event manager for Nottingham based event brand Intuition Events. This time only a little late; here are my favourite songs I had on repeat in March:

Malevolence – On Broken Glass – Sheffield based heavy metal band Malevolence released their first of two new singles in late February, On Broken Glass. They also announced their new album, Malicious Intent, due for release on the 20th May this year. I heard them play On Broken Glass live for the first time in September, where they played a hometown gig in Sheffield alongside Leeds based hardcore band Rough Justice and Essex based Splitknuckle, where they actually filmed the video for On Broken Glass that day. The single is sublime, as is the second of the singles, Life Sentence. I am predicting an absolutely massive year for them after the album release. They are heavy metal royalty and deserve so much more recognition from outside of the UK hardcore scene as well as the dedication from current UK fans. Expect eye watering riffs and gut rendering vocals.

Overmono – Gunk – Brothers Tessela and Truss released their first single of 2022, Gunk on the 8th of March. The track is taken from the London based duo’s upcoming project, Cash Romantic, due for release on the 8th of April. Gunk is an addictive listen, which fuses elements of house and techno with UK garage. The single cover artwork features a gorgeous Doberman, much like the artwork for Diamond Cut/Bby, and the Everything U Need EP.

DJ Steaw – Tribute To Doug Willis – A minimal house pick now from Parisian DJ and producer DJ Steaw. Tribute To Doug Willis is from Steaw’s West Side EP released in March 2019 on ever popular label, Rutilance Recordings. The track is a funky, deep house cut with a French touch featuring a sample of British DJ and house producer David Russel Lee aka Doug Willis’ I Got It.

Folly Group – Sand Fight – One of my favourite indie discoveries of recent is Sand Fight by London based collective Folly Group. Within the song, Sand Fight delivers an audio-ode to the quartet’s youth of being carefree with limitless energy. From their 2021 EP, Awake and Hungry, this song is an essential for your indie playlist. Their sound is slightly reminiscent of the likes of Idles, and they are definitely a band to listen out for.

Joe Unknown – Ride – Another indie pick for this month is Joe Unknown’s Ride. The song is his only release on Spotify, adding a mysterious element to his overall demeanour as an artist. Spoken word vocals combined with gritty, urban lyrics describing day to day British Culture. Not quite rap but now quite punk, Joe Unknown has a distinct sound similar to the likes of Slaves, Sleaford Mods or Slowthai.

Sunny Day Real Estate – The Blankets Were The Stairs – This song is a discovery I made from TikTok, where creators ask day to day people roaming the streets what songs they are listening to. I already knew Sunny Day Real Estate from their songs In Circles and Song About An Angel, which are on the same album as The Blankets Were the Stairs, called Diary which was released back in 1994. Having never listened to the album in full, I hadn’t heard this song before I had seen the TikTok, which lead me to listen to the full album, and it is a perfect example of 90s grunge punk. Featuring whiney vocals like most soft punk bands, and a lovely bass pattern in the chorus.

DJ Mell G – I Fuck As I Live – Spotify discover weekly came through with the electro in March with German based producer DJ Mell G’s I Fuck As I Live. The single was released in 2020 and is a fast paced banger which combines various styles in one track, showing just how badass on production she is. I can expect the likes of DJ Stingray to be rinsing this track in future sets!

The Clash – The Magnificent Seven – I don’t often feature classic, iconic bands within my posts, as it often goes without saying. The Clash need no introduction, but they are one of the best bands ever to come out of the UK and the original punk scene. The Magnificent Seven is one I’ve had on repeat throughout March as it was sampled in Pete Tong’s mix for The Ministry Of Sound’s The Annual II, which I have been listening to on my way to work in the car. The song was inspired by the likes of US early rap musicians The sugar hill Gang and The Grandmaster Flash and is one of the earliest recorded attempts of a band attempting to write and perform rap, especially with its lyrics of social and political content. The Magnificent Seven is one of The Clash’s most underrated songs in my opinion, and irrefutable proof of their eclecticism. Listen out for the killer bassline alongside Joe Strummer’s songwriting *chef’s kiss*.

Dissolver – Amputee Thai Chi – One of my favourite artists at the moment who I cannot stop listening to is Dissolver, and if you asked me for my top five DJs, he would be up there. Amputee Thai Chi is a pumping electro track featuring an intriguing build up to claps and a vocal sample leading up to a perfect drop, back to low thudding kicks all put together with those elements. The track comes from the compilation album COURTOISYD03, featuring other artists such as Frazi.er and Charlie Sparks. At only 23 years old, the Netherlands producer his soaring up to an incredibly high status within dance music, if he isn’t there already.

SNTS – Hopeless (Paula Temple’s Descent Into Madness Remix) – Finally, my irl soundtrack pick for this month is Paula Temple’s remix of SNTS’ Hopeless. I went to Re-Textured at Printworks where I finally got to see Paula, and this track was one I listened to the most before attending to increase the excitement. Both SNTS and Paula Temple are well known in techno for their unrelenting sounds both in DJ sets and production, with high bpm and industrial components to provide an audio experience into hell. This track does exactly that, taking you deep into the realms of underground industrial techno.

Spotify playlist with all tracks from my On Repeat series has been updated as always, which you can find below. Have a listen for yourself! :

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